Horacio Coppola's 1936 photograph 'Noctuno. Calle Corrientes, desde Reconquista hasta Plaza de la Republica' ('Nocturne. Corrientes Street, from Reconquista to Plaza de la Republica'), is part of the "Buenos Aires Modern: 1935-1950" exhibition opening Sept. 9 at the Kemper Art Museum on the Washington University campus.
Courtesy of Galeria Jorge Mara-La Ruche, Buenos Aires
Fondo Acosta Wladimiro.
Daniel Neman | Post-Dispatch
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Horacio Copolla's masterful 1936 photograph of Calle Florida, one of the main streets of Buenos Aires, is included in "Buenos Aires Modern, 1935-1950" at the Mildred Lane Kemper Art Museum.
Courtesy of Mildred Lane Kemper Art Museum, Washington University in 最新杏吧原创
Buenos Aires photographer Grete Stern, a refugee from the Nazis in Europe, took this self-portrait in 1946. It is included in "Buenos Aires Modern, 1935-1950" at the Mildred Lane Kemper Art Museum.
Courtesy of Mildred Lane Kemper Art Museum, Washington University in 最新杏吧原创
Exhibition subjects include Jasper Johns, women impressionist painters and 最新杏吧原创 baseball,
Horacio Coppola's 1936 photograph 'Noctuno. Calle Corrientes, desde Reconquista hasta Plaza de la Republica' ('Nocturne. Corrientes Street, from Reconquista to Plaza de la Republica'), is part of the "Buenos Aires Modern: 1935-1950" exhibition opening Sept. 9 at the Kemper Art Museum on the Washington University campus.
Courtesy of Galeria Jorge Mara-La Ruche, Buenos Aires
Buenos Aires photographer Grete Stern, a refugee from the Nazis in Europe, took this self-portrait in 1946. It is included in "Buenos Aires Modern, 1935-1950" at the Mildred Lane Kemper Art Museum.
Courtesy of Mildred Lane Kemper Art Museum, Washington University in 最新杏吧原创
Horacio Copolla's masterful 1936 photograph of Calle Florida, one of the main streets of Buenos Aires, is included in "Buenos Aires Modern, 1935-1950" at the Mildred Lane Kemper Art Museum.
Courtesy of Mildred Lane Kemper Art Museum, Washington University in 最新杏吧原创
